542 Royalty-Free Audio Tracks for "A Chord"

Sound for closing a program. The sound was made on a microkorg s and is a fmaj7 chord. **works with open_program_a sound effect**.

Hey everyone,. Thanks for everything now and throughout the past couple years. I appreciate you all!. Support me : https://bit. Ly/rkb07. Made & edited in fl studio 20.

A classic chord progression blues recorded with zoom h4.

A dark minor chord progression made with a vintage synth plugin on fl studio.

This is a mellow chord progression played on acoustic guitar. Rode nt1-a > mixer > reaper.

A chilled out chord sequence i created in jeskola buzz at 103bpm.

It's a short e. Organ loop i made. Nothing all that interesting. The chord progression is:fmaj7 bm7b5 em7 a7 dm7 g7 cmaj7 gm7b5.

A small sample of my classical guitar playing a reggae skank. Could stick this on a sampler and use as a chordal bed for a tune. Might be well coupled with a minor skank playing the root chord and this playing the 7 chord!.

V43 for comparison with viio6 as a substitute for V43 in Beethoven Piano Sonata in C major, Op. 2, No. 3, fourth movement.

Mystic chord on C as the 1, 11, 7, 5, 13, and 9th harmonics (harmonics 8 through 14, without 12). 1 = C = 0 cents = unison 11 = F↑ = 551.32 cents = eleventh harmonic 7 = B♭ = 968.83 cents = harmonic seventh 5 = E = 386.31 cents = just major third 13 = A♭ = 840.53 cents = thirteenth harmonic 9 = D = 203.91 cents = large just whole tone

This is something what i'm thinking of for a while. It's not very musical but i'm trying to find how are this type of chords useful?. When i listen this chord it gives me some strange sad-happy mood that changes rapidly in my head.

Standard open a 5th chord. Down strum. If any of these samples have any errors or faults, please tell me.

A vocal chord sliding up with crescendo and ending with an "s" recorded in big concert hall with olympus ls 11.

Electric guitar a short clean piece rolling (hammer ons) some notes around a.

Sound for opening a program. Sound was made on a microkorg s and is a cmaj7 chord. **works well with close_program_a sound effect**.

A guitar chord, probably a d. Recorded for the purpose of testing out guitar dsp effects. Recording details:. Gibson les paul junior, p90 pickup, mahogany neck, ernie ball beefy slinky 11-54, dunlop 88mm. Recorded through the instrument input of a focusrite saffire pro 24. Edited in ableton live, no processing other than gain and fade.

808 drum-machine pattern with oldschool monopoly stab/chord. Notes played:. G4 d#4g4d5 f#5c5g4. Dfx buffer override is applied on the 808 kick/lg pattern to add a bouncy style. Can also upload individuals sounds/tracks if asked. . .

A 24 bit, 96khz stereo recording of the cable being pulled out of a vacuum cleaner.

Ugly piano chord, jarring stinger. Recordist peter brucker / recorded 4/19/2018 / sm 58 microphone / old out of tune piano in a basement.

Held mic up to a box of cords and cables while searching through. Recorded with $30 mic from target. A m10 samson. Recorded with audacity.

Minor triad on A in first inversion. Created by Hyacinth (talk) 18:56, 23 November 2010 using Sibelius 5.

A slide into a chord with a whammy bar on a fender mustang and creamy electro-harmonix pedal effects.

Glitched out a recording of a choir and now it sounds like an organ.

Two shots of a hollow-sounding high-frequency short-delay flanger on a synth chord. First is firmer, second has more of a suck to the attack.

Example for a simple straightforward walking bass line over a 12-bar blues scheme

This is a piano chord cluster reversed and mixed with different effects. Use for whatever you'd like.

Accrued when changing the actual patch of a midi-loop into a chord based patch.

Mystic chord on C as the 7th, 10th, 13th, 9th, 12th, and 8th harmonics. 7 = B♭ = C = 0 cents = 1/1 = unison 8 = C = D- = 231.17 cents = 8/7 = septimal major second 9 = D = E = 435.08 cents = 9/7 = septimal major third 10 = E = F♯ = 617.49 cents = 10/7 = greater septimal tritone (11 = F↑ = G↑- = 782.49 cents = 11/7 = undecimal minor sixth) 12 = G = A = 933.13 cents = 12/7 = greater just minor seventh 13 = A♭ = B♭- = 1071.70 cents = 13/7 = ?

A 24 bit, 96khz stereo recording of a the cable of a vacuum cleaner being wound back into it's box by a spring.

Dominant ninth chord in fourth inversion: G,A,C,E♭,F. It then resolves to I: B♭, D, F.

A 130 bpm loop using synths i made in vital. The chord progression is i-iv-vii-v.

Cavalry sting a la baseball stadium with short chord at the end.

Cavalry sting a la baseball stadium with long chord at the end.

Simple chord progressions, sorta laid back and relaxing. Think maybe a old school type of classic rock beginning.

V of V chord progression in "Sweet Georgia Brown". V/V/V-V/V-V-I: A-D-G-C. Note that the tempo is kept but the number of measures is cut in half.

Piano playing a single chord, edited with audacity to sound like stomping. Bad quality since it was just a test run.

A piano player coming to a sudden halt. 2 variants. One sounds like a catchy chord while the other one sounds more "crashy".

Just intonation minor chord from maurolupo’s “ahohe” (211961, “girl's voice singing”). Https://www. Freesound. Org/people/maurolupo/sounds/211961/. Used sonic pi to add a minor third (315. 641 cents) and a perfect fifth (701. 955 cents) while maintaining the duration. Code snippet:```sample dir, "ahohe"sample dir, "ahohe", pitch: 3. 15641sample dir, "ahohe", pitch: 7. 01955```.

Chord progression played on a kurzweil 2500rs synthesizer in a-minor key. The mood is dreamlike, melancholic and nostalgic. The instrument is a mix of piano and strings and ends with a long reverb tail. Could fit a soundtrack or an ambient track.

Example of a German sixth chord, preceded by predominant chords, in Scott Joplin's Binks' Waltz (1905).

A reversed maj7 chord with "shell voicing" (no third). Recorded with an sm57 in front of a fender blues junior.

ii7-V7-IM7, for comparison with a tritone substitution (ii7-Vb7/V-IM7).

An happy chord, to indicate a dialog box or any positive event.

Some piano recordings with door noises in the background. First chord is an f major 7th and then it goes down to a d minor seventh or something. Not sure.

A metallic percussion loop over a chord progression in c major on piano. Perfect for your blue man group cosplay!.

I played a staccato chord into a reverb unit with an infinite delay time. The signal from the reverb was sampled into an akai s612, looped and then resampled into the computer.

Basic four chord loop with a beat and some fx and all that cool stuff that you care about.

Simple loop i made using the bellsinger from roland mt 32 sounds. I used notes from the e minor chord [cc zero].

Standard open a major 7th chord. The same as a major except the g (3rd) string which has the 1st fret held. Down strum. If any of these samples have any errors or faults, please tell me.

C major and E minor contrast through their respective notes C and B (in red and orange), each a half step apart or leading tones. The chords share two notes (in blue) however.